Moshe Barasch argues that although art theory may have changed in intellectual outlook and artistic aims during the pre-modern period, the different attitudes and traditions were so intricately interwoven that they could not be separated from one another. He then shows how and why art theory broke [...]

From Impressionism to Kandinsky , brings this fascinating history well into the twentieth century. Barasch details the radical social changes in the creation, presentation, and reception of art and explores the new ways in which critics as well as artists conceptualized paintings and sculptures, mak[...]

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